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home | soundclips | catalogue scans | vintage ads | forum | for sale epiphone fender gibson gretsch guild hagstrom harmony hofner kalamazoo vox ampeg baldwin dan armstrong futurama g&l; goya hayman ibanez marshall musicman ovation peavey rickenbacker selmer silvertone supro yamaha wem welcome to why vintage guitars? there is something special about musical instruments of a certain age. guitars built from the mid 1950s until the late 1970s are generally held in high esteem; techniques and materials, particularly pre-1970 were vastly superior to today's 'mass-produced' standards. but is a vintage guitar really much different to a modern day equivalent? people often say wood is wood, but this is simply not the case. centuries old trees that were regularly harvested for guitar manufacture in the 1950s are now protected, and it is these old trees with close grains and unbeatable tonal qualities that make the very best guitars. with rainforests rapidly diminishing their protection can only be a good thing. but it does mean that good quality older guitars, perhaps with a few modern upgrades can make some of the very best instruments available. what's more, much of the painstaking attention to detail lavished upon fine old jazz guitars by special order/custom departments and aimed at serious guitarists has been replaced by the continual churning out of 'limited editions', aimed at serious collectors. whether these rare, but ultimately not-so-special guitars will be quite so desirable in 30 years time remains to be seen. what is a vintage guitar? different people have different opinions on what makes a vintage guitar. for the purposes of this site, a vintage electric guitar or vintage bass is one that was produced in the golden age of rock and roll. from the very early 1950s when fender first produced the esquire and broadcaster, and gibson the les paul; to the early 1980s, when both of these companies sold to their current owners. why play an old guitar? the musical revolutions occurring during the period in question created the first well-known guitar heroes, and gave their guitars iconic status. it is no surprise that the right guitar can immediately conjure a specific period in time, both with looks and sound. and modern day guitarists who want to capture an essence of that period will naturally tend towards these guitars. nothing says 1950s quite like a gretsch. nothing says 1960s quite like a vox teardrop or phantom. numerous classic guitars made by the likes of gibson, epiphone, fender, and guild are worth thousands, sometimes tens of thousands; a little expensive for the average player, and often these are the preserve of investors and collectors. early versions of the gibson les paul , sg and flying v guitars, or the fender stratocaster or telecaster . but there are still very many affordable, great sounding, and exciting to play vintage guitars that offer something simply not available in a new guitar. a well-built vintage instrument, although expensive can actually be superb value for money in comparison to some of the new guitars available at that price. vintage guitars for sale this site is for information only - we don't sell vintage guitars - but do check out our vintage guitar collectors pick list : a regularly updated selection of rare guitars, vintage catalogs, or unusual items currently that we've found for sale on the web. we especially like to feature vintage guitars with a story! if you're selling something interesting yourself, get in contact and we can help promote your item. latest site updates 1965 hofner president the president was produced by hofner in bubenreuth, germany, specifically for selmer, who distributed the brand in the united kingdom, australia, new zealand, south africa, and other commonwealth nations. the president was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. it was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. the example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded venetian cutaway. from late 1965 until 1972, the president sported a sharp florentine cut. naturally, such an electric acoustic suggests jazz and blues, but many of the original british hofner president players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s. 1964 1965 fender catalogue "the choice of professional and student musicians everywhere" this eight page catalogue was included as an insert in the 1963 annual "school music" issue of downbeat magazine (september 1963). as well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the musicmaster and duotone to professional models like the new jaguar . 1971 gibson les paul recording guitar owners manual the newly designed les paul recording guitar was released in 1971, in many ways as an updated version of the les paul professional that had debuted two years earlier in 1969. the new guitar came with a new owners manual explaining the (somewhat complicated) controls, their operation, and giving other specifications, including recommended strings, action and control settings. compare with the broadly similar owners manual for the les paul personal / professional 1971 gibson les paul triumph bass owners manual the les paul triumph bass, like the les paul recording guitar was first shipped in 1971, but was based on a slightly older model, the 1969 les paul bass . functionally, these basses were very similar, although the triumph did offer low and high impedance operation, without the need for a transformer cable. this owners manual details the basses specifications, suggests a string set, recommended action, and suggests a series of tonal settings for rock, country and solo bass playing. 1981 gibson rosetti catalogue (uk) 20 pages, black and white with color front cover. in the middle of 1981, rosetti took over distribution of the gibson line in the uk. rosetti were a very big name in britain, having distributed epiphone since at least 1963, as well as hagstrom and others. this catalogue was produced at the tail end of 1981, and introduces a number of models to the uk, such as the mv-ii , mv-x guitars and the victory basses , the ggc-700 and the flying v bass. some of these models were so short-lived that they were actually never included in us brochures. the cover image (reproduced in part here) showed some of the earliest demonstration models, including a victory with a highly unusual white scratchplate. 1981 gibson victory mv-ii electric guitar a closer look at a 1981 gibson victory mv-ii electric guitar. the gibson victory mv, or 'multi-voice' guitars had very wide tonal palettes; with coil-tapped humbuckers they could produce typical gibson tones, but were also designed to 'out-fender' fender. two models were launched in the summer of 1981. whilst the mvx, was designed to do everything a stratocaster could do, the mvii was 'primarily for the discerning country player' - placing it squarely against the telecaster . 1982 gibson loose-leaf publicity sheets gibson produced a series of single sheet flyers in 1982, promoting some of their newer models ( victory bass and multi-voice guitars , chet atkins classic electric and the already best-selling sonex-180 deluxe ), and a few classic reissues ( 30th anniversary les paul standard and heritage flying v ) - all of which were received with some applause at the 1982 atlanta namm show. these flyers all contained one or more side-panel, that folded out with model specifications, but were also designed to be reproduced in guitar magazines of the time without the extra fold out. 1963 vox clubman ii the clubman was one of the earliest uk-built guitars produced by vox at it's dartford plant. as an entry level model it was very light,

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